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West, Bruce and Laing
West, Bruce and Laing (WBL) were a blues rock power trio super-group formed in 1972 by Leslie West (guitar and vocals; formerly of Mountain), Jack Bruce (bass, harp, keyboards and vocals; ex-Cream) and Corky Laing (drums and vocals; ex-Mountain). The band released two studio albums, ''Why Dontcha'' (1972) and ''Whatever Turns You On'' (1973), during their active tenure. Their disbanding was officially announced in early 1974 prior to the release of their third and last album, ''Live 'n' Kickin'''.
In 2009 West and Laing briefly relaunched the band, with Jack Bruce's son Malcolm substituting for his father on bass. This incarnation of the band toured the UK and North America under the name "West, Bruce Jr. and Laing."
==Formation and record deal==
The trio agreed to work together in London in January 1972〔Shapiro, Harry (2010). ''Jack Bruce: Composing Himself – The Authorised Biography'', Jawbone, ISBN 978-1-906002-26-8, p. 153.〕 near the end of Mountain’s 1971–72 European tour supporting their album ''Flowers of Evil'' (1971), after Mountain’s bassist/vocalist/producer Felix Pappalardi announced he would leave the band at the tour’s end. (Pappalardi had, by late 1971, become addicted to heroin.) Jack Bruce knew Pappalardi well; Pappalardi had produced all but one of Cream's albums, and occasionally also performed with them in the studio. Subsequently, as Mountain's producer, Pappalardi would fashion his new band's sound after that of Cream, in particular scoring a 1970 hit with a cover version of Bruce’s song "Theme for an Imaginary Western" (from Bruce's 1969 album ''Songs for a Tailor'', which Pappalardi produced). Bruce was thus viewed as a natural "replacement" for Pappalardi in West and Laing’s post-Mountain venture, with several record companies and management organizations expressing interest in signing the new band.〔Shapiro, Harry. ''Jack Bruce: Composing Himself – The Authorised Biography'', p. 155-56.〕
West and Laing’s manager Bud Prager, and Bruce’s manager Robert Stigwood, jockeyed for influence with WBL, with Prager ultimately establishing the more dominant position by brokering a $1 million USD, three-album contract (over $5 million in present-day dollars) for the band with CBS/Columbia Records – a large artist signing for the day.〔Shapiro, Harry. ''Jack Bruce: Composing Himself – The Authorised Biography'', p. 156.〕 As part of the deal, Prager arranged for WBL’s records to be distributed by CBS under his and Pappalardi's Windfall Records imprint, and for Mountain’s back catalog of albums to be reissued by CBS/Windfall. CBS Records' head at the time, Clive Davis, would be quoted as saying that the negotiations for WBL "showed record-company competition at its fiercest."〔Shapiro, Harry. ''Jack Bruce: Composing Himself – The Authorised Biography'', p. 155.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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